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"I Could Not Ask for More" is a song composed by American songwriter Diane Warren and originally recorded and released in February 1999, by American singer-songwriter Edwin McCain for the original soundtrack of the 1999 romantic drama film Message in a Bottle, starring Kevin Costner, Robin Wright Penn and Paul Newman.
In 2006, the Archive removed all 34,000 tablatures on the site. [5] A note posted on the site indicated that those running the site had received "a 'take down' letter from lawyers representing the National Music Publishers Association and the Music Publishers Association", according to the linked letter on the front page. [6]
The band were formed in Stafford, Staffordshire, England in 1968 by vocalist, saxophonist, guitarist and harmonica player Colin Cooper (1939–2008), guitarist, bassist and vocalist Pete Haycock (1951–2013), guitarist Derek Holt (b. 1949), bassist and keyboardist Richard Jones (b. 1949), drummer George Newsome (b. 1947) and keyboardist Arthur Wood (1929–2005).
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology (Thrivin' on a Riff)".
"I Could Not Love You More" is a song by the Bee Gees from their twenty-first studio album, Still Waters, released in 1997 as the album's second single. The song is a pop ballad written by Barry, Robin and Maurice Gibb and recorded in Los Angeles in March 1996.
"I Can't Explain" was the A-side of the group's first single as the Who; its predecessor, "Zoot Suit"/"I'm the Face," was released under the name the High Numbers. In the album's liner notes, Townshend noted the song's similarity to the contemporaneous hit "All Day and All of the Night" by the Kinks: "It can't be beat for straightforward Kink copying.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest.