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The video is composed of computer-animated footage from the film. The lyrics are presented in the comic book style of the film, edited into the context of various scenes, such as graffiti scrawled by Miles Morales. [5] Since its release, as of 2024, the lyric video has received over 2.5 billion views on YouTube. On January 10, 2019, an official ...
"Sunflower" is a song written by Neil Diamond and recorded by American country music singer Glen Campbell. It was released in June 1977 as the second single from Campbell's 1977 album, Southern Nights. "Sunflower" was the last of eight number ones on the Easy Listening chart for Campbell.
A music video for the song was released on March 13, 2019. It was directed by Jonah Hill, who had previously appeared in the video for Harmony Hall. It was filmed at Zabar's and Barney Greengrass on the Upper West Side, Manhattan and features a cameo appearance from artist Fab 5 Freddy and comedian Jerry Seinfeld.
"Sunflower" is a song by British singer-songwriter Paul Weller, released in July 1993 by Go! Discs as the first single from his second solo album, Wild Wood (1993). [2] [3] The song was written by Weller and co-produced by him with Brendan Lynch. It peaked at No. 16 on the UK Singles Chart upon its release. [4]
It is the sisters' second full album of French songs, following on from their 1980 album Entre Lajeunesse et la sagesse, while several of their other albums also included a few French songs. [1] The album does include one English song, "Sunflower", which is a setting of William Blake's poem "Ah! Sunflower". The same song is performed in French ...
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"It's a song all about the feeling you get when you do something you regret and coming to terms with your own choices,"..."I always knew I'd make a video for this song and always had this concept in mind. It's essentially just a visual representation of what's being said in the song."
In their review of Sunflower, a Rolling Stone critic mentioned that the song "could be Beach Boys-influenced anybody". [9] Reviewing the song for AllMusic, Matthew Greenwald wrote, "Taking his cues from 1930s-'40s musicals, this lighthearted pop gem is a great example of Bruce Johnston's musical style and fine overall pop sensibility." [10]