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The inclusion of Kesha (pictured) was the suggestion of producer Dr. Luke, as Flo Rida wanted a female voice in the song. "Right Round" was written by Flo Rida, Dr. Luke, Kool Kojak, DJ Frank E, Philip Lawrence, Bruno Mars, Aaron Bay-Schuck, and Dead or Alive, the band whose 1984 song "You Spin Me Round (Like a Record)" is sampled in the chorus.
"Right Round" was released as the album's lead single, and became Flo Rida's second number-one hit.Released on January 25, 2009, the song debuted at number 58 on the US Billboard Hot 100 on February 18, 2009.
In 2009, Flo Rida released his second studio album R.O.O.T.S.; its lead single "Right Round" topped the national charts of Canada, Germany, Ireland, and the United Kingdom, in addition to the American one, where it remained for six consecutive weeks. [5]
Bruno Mars co-wrote "Right Round". Ryan Lewis co-wrote "Praying". Taio Cruz collaborated with Kesha on "Dirty Picture" and "Dirty Picture Part 2". Kesha has recorded two versions of Dolly Parton's "Old Flames Can't Hold a Candle to You", one featuring Parton herself. Kesha is featured on the Alice Cooper song "What Baby Wants".
"Right Round Here" is a song recorded by Canadian country music artist Dean Brody. The track was written by Stuart Walker and Jenna Walker of the Reklaws with Callum Maudsley, while Gavin Slate produced it. [1] It is the fourth single and title track off Brody's eighth studio album Right Round Here. [2]
DOGE wants access to filers’ data, and the commerce secretary says Trump wants to scrap the IRS. But filing a return remains mandatory — the earlier the better, tax advisers say.
It was released as the second single on 8 November 2010 in the United States. The song contains samples of "Din Daa Daa" by German dance singer George Kranz, and "Oh Yeah" by Swiss electronica band Yello. It debuted at number 98 on the Billboard Hot 100 and was featured prominently in the closing credits of The Hangover Part II.
"Round & Round" is a dance-driven electro-pop rock song with a length of three minutes and five seconds, composed by Kevin Rudolf, Andrew Bolooki, and Jeff Halatrax, Jacob Kasher and Fefe Dobson. The song's disco influence was noted to be new for Gomez's usual "poppy" music. [ 1 ]