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Scout at Ship's Wheel, 1913. Norman Rockwell was born on February 3, 1894, in New York City, to Jarvis Waring Rockwell and Anne Mary "Nancy" (née Hill) Rockwell [13] [14] [15] His father was a Presbyterian and his mother was an Episcopalian; [16] two years after their engagement, he converted to the Episcopal faith. [17]
Saying Grace sold for $46 million (including a buyer's premium) at Sotheby's in December 2013, setting a new record price for Rockwell's art. Rockwell's previous record had been set in 2006 by the $15 million sale of Breaking Home Ties. [3] Saying Grace had been expected to sell for between $15 million and $20 million. [3]
The Dugout (Bottom of the Ninth) is a 1948 painting by American artist Norman Rockwell, painted for the September 4, 1948, cover of The Saturday Evening Post magazine. The painting depicts the Chicago Cubs bench dejected during a game against the Boston Braves at Braves Field.
The first Boy Scout calendar painting, A Good Scout, 1918 by Norman Rockwell. Between 1925 and 1990, Brown & Bigelow released for sale a yearly calendar for the Boy Scouts of America (BSA) featuring a painting by illustrators Norman Rockwell (from 1925 to 1976) and Joseph Csatari (from 1977 to 1990). Rockwell missed only two years: 1928 and ...
The exhibit features examples of Rockwell's Coca-Cola work from original paintings to final marketing pieces, including the three Company-commissioned paintings that Coca-Cola now holds and ...
Breaking Home Ties is a painting by American illustrator Norman Rockwell, created for the September 25, 1954, cover of The Saturday Evening Post. The picture represents a father and son waiting for a train that will take the young man to the state university .
Norman Rockwell 1955. Norman Rockwell Museum. Marriage License is an oil painting by American illustrator Norman Rockwell created for the cover of the June 11, 1955, edition of The Saturday Evening Post. It depicts a young man and woman filling out a marriage license application at a government building in front of a bored-looking clerk. The ...
The Problem We All Live With is a 1964 painting by Norman Rockwell that is considered an iconic image of the Civil Rights Movement in the United States. [2] It depicts Ruby Bridges, a six-year-old African-American girl, on her way to William Frantz Elementary School, an all-white public school, on November 14, 1960, during the New Orleans school desegregation crisis.