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Solfeggietto (H 220, Wq. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. [1] Although the Solfeggietto title is widely used today, according to Powers 2002 , p. 232, the work is correctly called Solfeggio , but the author provides no evidence for this.
Carl Philipp Emanuel Bach: The Complete Works is a critical edition of the music and keyboard treatise by C.P.E. Bach.The project was begun in 1998–99 in the wake of the aborted Carl Philipp Emanuel Bach Edition, and many of the same eminent music scholars associated with the earlier incomplete edition have become involved with the new one.
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), [1] also formerly spelled Karl Philipp Emmanuel Bach, [2] and commonly abbreviated C. P. E. Bach, was a German Baroque and Classical period composer and musician, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach.
H 482. 11 Flute Concertos (lost, CPE Bach's authorship doubtful) H 483. Keyboard Concerto in B-flat major (lost, CPE Bach's authorship doubtful) H 484/1. Flute Concerto in D minor (1747) (CPE Bach's authorship doubtful, arrangement of H.425) H 485. Keyboard Concerto in E minor (CPE Bach's authorship doubtful, arrangement of H.452) H 486.
Download as PDF; Printable version; ... Pages in category "Compositions by Carl Philipp Emanuel Bach" ... Solfeggietto; Sonata in A minor for Solo Flute, Wq. 132 ...
"Bud on Bach" is a composition written by jazz pianist Bud Powell for his 1957 album Bud!, also known as The Amazing Bud Powell, Vol. 3. It is unusual among jazz compositions for being based upon Solfeggietto , a composition by Carl Philipp Emanuel Bach .
A page from the 1771 edition of Geistliche Oden und Lieder, showing the typical length and notation of the lieder of the collection.. Geistliche Oden und Lieder ("Sacred Odes and Songs", H. 686, Wq 194), also known as Gellert Oden ("Gellert Odes"), is a collection of songs by Carl Philipp Emanuel Bach with texts by Christian Fürchtegott Gellert.
Bach set the text in the same key as the later version, formally as a cantata, in 1749 in Berlin, [2] where he was a harpsichordist at the court of Frederick the Great. [ 3 ] Some sources assume that Bach composed the piece to apply for the title of Hofkapellmeister at the court of Amalie , the king's sister, [ 4 ] others suggest that he ...