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"Can't Stand It" is a song by American indie rock band Never Shout Never. It was released on March 4, 2010, as the third single from their debut studio album, ...
"I Can't Stand It" was the first single from Eric Clapton's 1981 album Another Ticket. On the record label for the vinyl 45, its credited as Eric Clapton and His Band . It was also used for interludes on Bill O'Reilly's radio show, The Radio Factor .
I Can't Stand It may refer to: "I Can't Stand It" (Eric Clapton song), 1981 "I Can't Stand It" (Blossoms song), 2018 "I Can't Stand It!", a song by Twenty 4 Seven "I Can't Stand It", a song by the Spencer Davis Group from Their First LP
I Can't Stand It!" is a song by Dutch-American group Twenty 4 Seven, released as the debut single from their first album, Street Moves (1991). The song was produced by Dutch producer Ruud van Rijen and American producer/rapper/dancer Tony Dawson-Harrison ( Captain Hollywood ).
Released in May 1979, the album achieved gold status and yielded the hit "I Can't Stand It No More", which peaked at #14 on the US Billboard Hot 100. [5] Track listing
The band and Reprise executives agreed to re-mix "Can't Stand It" to make it more radio-friendly. Within one day, the song was remixed into the version that appeared on Summerteeth, cutting out portions of the bridge and adding bells. [15] "Can't Stand It" failed to cross over from adult album alternative to modern rock radio stations. [16]
"No More (I Can't Stand It)" was very successful on the charts in Europe, proving to be the project's biggest hit, alongside "Get-A-Way".The song entered the top 10 in Austria (9), Belgian Flanders (7), Denmark (5), Finland (2), Germany (10), the Netherlands (5), Norway (8), Scotland (6), Sweden (4) and the UK, as well as on the Eurochart Hot 100 and European Dance Radio chart, reaching ...
Charlie Feathers studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". [7] His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.