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Saint Catherine of Alexandria (c. 1598) is an oil painting (173x133 cm) by the Italian Baroque master Caravaggio, painted from 1598-1599. It is part of the Thyssen-Bornemisza Collection of Madrid . History and description
St Catherine of Alexandria Parish and School in Oak Lawn, Illinois, is named after her. [52] St. Catherine University in St. Paul, Minnesota was founded in 1905 by the Sisters of St. Joseph of Carondelet and named for St. Catherine of Alexandria. [53]
Saint Catherine of Alexandria: Madrid, Thyssen-Bornemisza Museum: 173 × 133 cm Oil on canvas: c. 1598: Sacrifice of Isaac: Princeton, Barbara Piasecka-Johnson Collection 116 × 173 cm Oil on canvas: c. 1598: John the Baptist: Toledo, Cathedral Museum: 169 × 112 cm Oil on canvas: Disputed: c. 1598: Martha and Mary Magdalene: Detroit, Detroit ...
Saint Catherine (Caravaggio) Saint Catherine (Master Theodoric) Saint Catherine of Alexandria (Artemisia Gentileschi) Saint Catherine of Alexandria (Raphael) Saint Catherine of Alexandria and Saint Jerome; Saint Catherine of Alexandria Polyptych; St John Chrysostom Altarpiece; Saint Madeleine and Saint Catherine (Witz) St Mark with Saints ...
Mystic Marriage of Saint Catherine of Alexandria with Saint Sebastian; Mystic Marriage of Saint Catherine: Artist: Antonio da Correggio Year: c. 1527: Dimensions: 105 cm (41 in) × 102 cm (40 in) Identifiers: Joconde work ID: 000PE024813
Earliest known work: St. Ursula and Her Companions with Pope Ciriacus and St Catherine of Alexandria (1608) oil on canvas (110.2 x 86.6 in.) Basilica of St. Mark the Evangelist, Rome Holy Family (ca. 1617 - 1625) oil on canvas (56.4 x 47.6 in.) Hermitage Museum , Saint Petersburg
The scene seems to depict the figures emerging from an altarpiece depicting the crucifixion with Saint Catherine of Alexandria with the wheel, and the Virgin Mary standing, Mary Magdalene hugging the feet of Christ, and Saint John the Apostle. Thomas kneels forward and proffers his open book, while in the background witnesses confer.
In that work, St. George, facing inwards and to the right, slays the dragon before a Libyan princess. Although the pairing might seem incongruous, his Madonna Standing is widely thought to have been attached with the St. Catherine of Alexandria in Vienna. [12] In both panels, the saints face inwards and are within fully realised landscapes.