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According to Stephen Skinner, the study of sacred geometry has its roots in the study of nature, and the mathematical principles at work therein. [5] Many forms observed in nature can be related to geometry; for example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic spiral to accommodate that growth without changing shape.
The Sri Yantra in diagrammatic form, showing how its nine interlocking triangles form a total of 43 smaller triangles. In the Shri Vidya school of Hindu tantra, the Sri Yantra ("sacred instrument"), also Sri Chakra is a diagram formed by nine interlocking triangles that surround and radiate out from the central point.
In woodwork, especially in the Safavid period, it could be applied either as lattice frames, left plain or inset with panels such as of coloured glass; or as mosaic panels used to decorate walls and ceilings, whether sacred or secular. In architecture, girih forms decorative interlaced strapwork surfaces from the 15th century to the 20th century.
Articles relating to sacred geometry, which ascribes symbolic and sacred meanings to certain geometric shapes and certain geometric proportions. Pages in category "Sacred geometry" The following 26 pages are in this category, out of 26 total.
Śaṅkha Auspicious symbol – conch Rewalsar. The right-turning white conch shell (Sanskrit: śaṅkha; Tibetan: དུང་དཀར་གཡས་འཁྱིལ་, THL: dungkar yénkhyil) represents the beautiful, deep, melodious, interpenetrating and pervasive sound of the dharma, which awakens disciples from the deep slumber of ignorance and urges them to accomplish their own welfare ...
A diagram of the "New Jerusalem" sacred geometry structure of quasi-mystical author John Michell. Color code: Grey The twelve moon-diameter circles ("pearls" or "gates"). Relative linear size 3. Green The basic earth-diameter circle (its circumference is tangent to the circumferences of the twelve circles). Relative linear size 11. Brown
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Images flourished within the Christian world, but by the 6th century, certain factions arose within the Eastern Church to challenge the use of icons, and in 726-30 they won Imperial support. [ citation needed ] The Iconoclasts actively destroyed icons in most public places, replacing them with the only religious depiction allowed, the cross .
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