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Greek art, especially sculpture, continued to enjoy an enormous reputation, and studying and copying it was a large part of the training of artists, until the downfall of Academic art in the late 19th century. During this period, the actual known corpus of Greek art, and to a lesser extent architecture, has greatly expanded.
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium.
Modern Greek art, after the establishment of the Greek Kingdom, began to be developed around the time of Romanticism. Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art, inspired by revolutionary ideals as well as the country's geography and history.
Knielauf (German: [ˈkniː.laʊ̯f]) is a term of art referring to a characteristic visual motif found in the art of Ancient Greece and the Etruscans of the Archaic Period, in which a person is portrayed as running or speeding forth with one knee nearly touching the ground.
Ars longa, vita brevis is a Latin translation of an aphorism coming originally from Greek. It roughly translates to "skillfulness takes time and life is short". The aphorism quotes the first two lines of the Aphorisms by the ancient Greek physician Hippocrates: "Ὁ βίος βραχύς, ἡ δὲ τέχνη μακρή".
Thalassa (/ θ ə ˈ l æ s ə /; Ancient Greek: Θάλασσα, romanized: Thálassa, lit. 'sea'; [2] Attic Greek: Θάλαττα, Thálatta [3]) was the general word for 'sea' and for its divine female personification in Greek mythology. The word may have been of Pre-Greek origin [4] and connected to the name of the Mesopotamian primordial ...
Compared to other non-civic art of the oikos (home), such as non-funerary red-figure painted pottery, stelae were obviously more fixed/permanent monuments, displayed outdoors for public viewing, and are constructed by a family for a specific person, making them far more expensive and exclusive than pottery. [2]