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The artist is also known for the engraved portraits of Charles IV of Spain, Francisco de Quevedo and Pedro Calderón de la Barca, appearing in the series Retratos de Españoles Ilustres, [9] engraved by Mariano Brandi , for which he drew the designs.
Lady Agnew of Lochnaw is an oil on canvas portrait painting of Gertrude Agnew, the wife of Sir Andrew Agnew, 9th Baronet.The painting was commissioned in 1892 and completed the same year by the American portrait artist John Singer Sargent.
According to Para One, although he and Simonini researched eighteenth century period music, they nonetheless recommended to Sciamma "a modern sound" inspired by György Ligeti's Requiem. [26] Sciamma provided the lyrics: the (repeated) Latin phrase ' Non possunt fugere ' and coda ' Nos resurgemus '—roughly translated as 'They cannot escape ...
Van Gogh's brother, Theo, who received an impression of the etching, called it "a true painter's etching. No refinement in the execution, but a drawing on metal." It is a different pose than that in Van Gogh's Portrait of Dr. Gachet, owned by Musée d'Orsay.
The three-quarter painting depicts a young woman in a frontal pose against a red backdrop. A cloak draped around her shoulders is decorated with flowers. The colour palette is typical of Klimt's later work. [1] The young woman is thought to be a member of the Lieser family, a family of Viennese industrialists.
La Belle Ferronnière (French pronunciation: [la bɛl fɛʁɔnjɛʁ]) is a portrait painting of a lady, by Leonardo da Vinci, in the Louvre.It is also known as Portrait of an Unknown Woman.
Louise de Broglie (1818–1882) was 27 at the time of the portrait. Ingres had two to three years earlier sketched her with black chalk as a preparatory drawing and begun an oil-on-canvas painting, which excludes the mirror and reflected images and reverses the pose, but that was abandoned.
Detail of the lady's head. The painting was executed in oils on a relatively small, 54 cm × 39 cm (21 in × 15 in) walnut wood panel. [9] [10] It depicts a half-height woman turned toward her right at a three-quarter angle, but with her face turned toward her left. [11]