Search results
Results from the WOW.Com Content Network
It replaced rarely used bass notes with more widely used notes. Some early harpsichords used a short octave for the lowest register. The rationale behind this system was that the low notes F ♯ and G ♯ are seldom needed in early music. Deep bass notes typically form the root of the chord, and F ♯ and G ♯ chords were seldom used at this ...
Fortepiano by Paul McNulty after Walter & Sohn, c. 1805 A fortepiano [ˌfɔrteˈpjaːno] is an early piano.In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century.
Ex. 1 A figured bass line, and a realization for theorbo (Thomas Mace, 1676) [3] (play) Audio simulation Ex. 2 Four realizations of a short figured bass (1753) [4] (play) Ex. 3 A figured bass, and a guitar realization (Nicola Matteis, 1682) [5] (play) Ex. 4 Bach MS: the keyboard part is thought to be an extremely rare transcription of a live ...
In the 20th and 21st century, figured bass is also sometimes used by classical musicians as a shorthand way of indicating chords when a composer is sketching out ideas for a new piece or when a music student is analyzing the harmony of a notated piece of music (e.g., a Bach chorale or a Chopin piano prelude). Figured bass is not generally used ...
The fortepiano dynamic as it appears in modern music. The expression fortepiano (sometimes called forte piano) is a sudden dynamic change used in a musical score, usually with the abbreviation fp, to designate a section of music in which the music should be played loudly (forte), then immediately softly (piano). [1]
A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role (though for another sense, see below). Sometimes these works are played on the modern piano (see piano concerto ).
The creation of the tangent piano, and the fortepiano, were the results of attempts to remedy the lack of dynamics in harpsichord sound. Both the tangent piano and fortepiano offered a variety of sound that was appealing to the changes in classical music, which featured more expressiveness and intensity than the harpsichord could offer.
Fortepiano by Paul McNulty after Walter & Sohn, ca. 1805 The earliest pianos by Cristofori (ca. 1700) were lightweight objects, hardly sturdier in framing than a contemporary harpsichord , with thin strings of low tensile strength iron and brass and small, lightweight hammers.