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"Lovin', Touchin', Squeezin '" is a song by American rock group Journey released as a single in 1979 from the album Evolution. Lyrically, the song is about a woman who is cheating on her boyfriend, the narrator, but at the end of the song the woman's lover is cheating on her.
Musopen, under the URL musopen.org, is a 501(c)(3) non-profit organization which prioritizes "improving access and exposure to music by creating free resources and educational materials". [M 1] The website creates, produces and disseminates public domain music via recordings, sheet music and educational resources concerning Western classical music.
Evolution is the fifth studio album by American rock band Journey, released in March 1979 by Columbia Records.It is the band's first album to feature drummer Steve Smith.. It was the band's most successful album at the time, reaching No. 20 on the US Billboard 200 chart, and has sold three million copies in the US.
The music video was directed by Kim Paul Friedman and premiered in March 1980. [10] It opens with a man standing in front of a jukebox, his face unseen by the camera. He scrolls his finger up a list of songs and stops at "Any Way You Want It". He then reaches into his pocket and pulls out a coin which he inserts into the jukebox.
Escape (stylized as E5C4P3 on the album cover) is the seventh studio album by American rock band Journey, released on July 20, 1981, by Columbia Records. [5] It topped the US Billboard 200 chart [6] and featured four hit Billboard Hot 100 singles – "Don't Stop Believin '" (No. 9), "Who's Crying Now" (No. 4), "Still They Ride" (No. 19) and "Open Arms" (No. 2) [7] – plus rock radio staple ...
Hamlet, Op. 67b (1891), incidental music for Shakespeare's play. The score uses music borrowed from Tchaikovsky's overture of the same name, as well as from his Symphony No. 3, and from The Snow Maiden, in addition to original music that he wrote specifically for a stage production of Hamlet.
While the contributions of the Russian nationalistic group The Five were important in their own right in developing an independent Russian voice and consciousness in classical music, Tchaikovsky's formal conservatory training allowed him to write works with Western-oriented attitudes and techniques, showcasing a wide range and breadth of technique from a poised "Classical" form simulating 18th ...
Its French translation Pathétique is generally used in French, Spanish, English, German and other languages, [5] Many English-speaking classical musicians had, by the early 20th century, adopted an English spelling and pronunciation for Tchaikovsky's symphony, dubbing it "The Pathetic", as shorthand to differentiate it from a popular 1798 ...