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Jean Metzinger, 1913, En Canot (Im Boot), oil on canvas, 146 cm × 114 cm (57 in × 45 in), exhibited at Moderni Umeni, S.V.U. Mánes, Prague, 1914, acquired in 1916 by Georg Muche at the Galerie Der Sturm, confiscated by the Nazis c. 1936, displayed at the Degenerate Art show in Munich, and missing ever since Albert Gleizes, 1912, Landschaft bei Paris, Paysage près de Paris, Paysage de ...
The contents of the repository included Belgian-owned treasures such as Michelangelo's Madonna of Bruges stolen from the Church of Our Lady in Bruges and Jan van Eyck’s Ghent Altarpiece stolen from Saint Bavo Cathedral in Ghent, Vermeer’s The Astronomer and The Art of Painting, which were to be focal points of Hitler’s Führermuseum in ...
Albert Gleizes, 1911, Le Chemin, Paysage à Meudon, oil on canvas, 146.4 x 114.4 cm. Exhibited at Salon des Indépendants, 1911, Salon des Indépendants, Bruxelles, 1911, Galeries J. Dalmau, Barcelona, 1912, Galerie La Boétie, Salon de La Section d'Or, 1912, stolen by Nazi occupiers from the home of collector Alphonse Kann during World War II, returned to its rightful owners in 1997.
The Nazis looted an estimated 100,000 cultural objects in France during the occupation. Here’s how one family fought to be reunited with their legacy — and in turn changed the law for others ...
The Nazis seized an estimated 20 percent of art in Europe, with scores of items still not returned to the families that owned them. The Nazis looted Europe's treasures. A Supreme Court ruling ...
Much of the focus of the discussion about Nazi gold (German: Raubgold, "stolen gold") concerns how much of it Nazi Germany transferred to overseas banks during World War II. The Nazis looted the assets of their victims (including those in concentration camps ) to accumulate wealth.
The chalk-painting "Bord de Mer," by Claude Monet, created in 1865. The painting was stolen from Adalbert Parlagi by the Nazis in 1940, and returned to his descendants by the New Orleans FBI ...
The painting and the entire collection of the Czartoryski family in Warsaw were confiscated in 1942, brought to Austria and probably stolen there by American military personnel after the end of the war. In 1949 it came into the possession of the VMFA. The VMFA started an inventory review in 1998 and identified the painting as looted art.