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"Jokerman" is a song by Bob Dylan that appeared as the opening track of his 1983 album Infidels. [3] [4] Recorded on April 14, 1983, [5] it was released as a single on June 1, 1984, featuring a live version of "Isis" from the film Renaldo and Clara as its B-side.
The Philosophy of Modern Song is a book by American singer-songwriter Bob Dylan, published on November 1, 2022, by Simon & Schuster. The book contains Dylan's commentary on 66 songs by other artists. [1] [2] It is the first book Dylan has published since he was awarded the Nobel Prize in Literature. [3]
"Too Good" Little Tony - - 19 "This Magic Moment" The Drifters 16 4 - 1968: Jay & the Americans, #6 pop 1976: Richard Roundtree, #90 R&B 1989: Rick James, #74 R&B "Lonely Winds" The Drifters 54 9 - "A Mess of Blues" Elvis Presley: 32 - 2 1983: Status Quo, #15 UK "Save the Last Dance for Me" The Drifters 1 1 2 1974: The DeFranco Family, #18 pop
However, the Joyce estate was unwilling to allow direct use of Joyce's words at that time, so she altered the lyrics. By 2011, the Joyce estate was open to licensing his work to her, so she re-worked that song as Flower of the Mountain, using Molly Bloom's soliloquy from Ulysses. [97] [98] [99] "For Whom the Bell Tolls" Ride the Lightning ...
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The list differs from the 2004 version, with 26 songs added, all of which are songs from the 2000s except "Juicy" by The Notorious B.I.G., released in 1994. The top 25 remained unchanged, but many songs down the list were given different rankings as a result of the inclusion of new songs, causing consecutive shifts among the songs listed in 2004.
Songs by the German band Modern Talking, listed in chronological order (current through 2009). Some songs may be known by more than one title (like Brother Louie is known also as No te pertenece (Spanish language version) or Brother Tuki).
As a teenager Richman saw the Velvet Underground perform many times, and the format of "Roadrunner" is derived directly from the Velvets' song "Sister Ray". "Roadrunner" mainly uses two chords (D and A, and only two brief uses of E) rather than "Sister Ray"'s three (which are G, F, and C), but they share the same persistent throbbing rhythm, and lyrics which in performance were largely ...