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Saint Longinus is a sculpture by the Italian artist Gian Lorenzo Bernini. Completed in 1638, the marble sculpture sits in the north-eastern niche in the crossing of St. Peter's Basilica in Vatican City. [1] It is over four meters high and was commissioned by Pope Urban VIII, a great patron of Bernini.
Longinus was not originally a saint in Christian tradition. An early tradition, found in a sixth- or seventh-century pseudepigraphal " Letter of Herod to Pilate ", claims that Longinus suffered for having pierced Jesus, and that he was condemned to a cave where every night a lion came and mauled him until dawn, after which his body healed back ...
Fresco by Fra Angelico, Dominican monastery at San Marco, Florence, showing the lance piercing the side of Jesus on the cross (c. 1440). The Holy Lance, also known as the Spear of Longinus (named after Saint Longinus), the Spear of Destiny, or the Holy Spear, is alleged to be the lance that pierced the side of Jesus as he hung on the cross during his crucifixion.
Statue of Carlo Barberini: Palazzo dei Conservatori, Rome 1630 Sculpture Marble Life-size 27 [33] Self-Portrait as a Mature Man (Bernini) [Wikidata] Uffizi, Florence 1630–1635 Painting Oil on canvas 62 cm × 46 cm (24.4 in × 18.1 in) NA [34] Saint Longinus: St. Peter's Basilica, Vatican City 1631–1638 Sculpture Marble Height 440 cm (174 in ...
The Lismore Crucifixion Plaque is an early medieval Irish brass sculpture showing the Christ crucified in a long robe, with two biblical figures (Stephaton and Longinus) in the quadrants below his outstretched arms, and two angels in the quadrants above them.
Bernini's Longinus is an intermediary between the sober but contorting classicism of Bolgi and Duquesnoy and the emotive dynamism of Mochi. Mochi's passionate depiction appears to overstep the decorum of the place. The other statues [10] exude the equanimity of passionate triumphal Catholicism, celebrated here in the center of the mother church.
For this work, he made only a few minor changes to the flanking images of Saint Peter and Saint Paul, and modified the details of the morse or clasp of the cope. [2] As a result, the sculpted busts of the two pontiffs closely resemble each other. In both, Bernini nestled the head low into the cope collar creating a triangular silhouette. [2]
The statues were commissioned as part of the chapel by the then–pope Alexander VII (Fabio Chigi). [1] Work began on the sculptures in 1661 and they were delivered from Rome to Siena in 1663. Bernini was paid 2,128 scudi for his work, although he probably received considerable assistance in their creation. [2]
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