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Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions; fed with the same food, hurt with the same weapons, subject to the same diseases, heal'd by the same means, warm'd and cool'd by the same winter and summer as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh?
The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598.A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
He mainly recorded songs from musicals and revues, and he recited many monologues on various subjects. [1] Most prominent among his recordings (aside from his participation in recordings of My Fair Lady ) are those of three series of monologues that he made at intervals throughout his career.
The sonnet exhibits many metrical variations. There are initial reversals in lines 1, 5, 7, 8, and 13; as well as potential initial reversals in lines 9 and 10. For example: / × × / × / × / × / Finding the first conceit of love there bred, (108.13) Lines 2 and 4 have final extrametrical syllables or feminine endings. Line 2 is particularly ...
The clod in this poem represents innocence. Its view of love is, according to Joseph Heffner, full of "childlike innocence." The choice of a clod of clay to represent this innocent view of love is significant because it is soft, and this view point is easily squished by life, or in this poem the foot of a cow. [2]
Sonnet 23 is one of a sequence of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.. In the sonnet, the speaker is not able to adequately speak of his love, because of the intensity of his feelings.
Read the full text of Ferrera's monologue -- which she reportedly delivered 30 times on set-- below: It is literally impossible to be a woman. You are so beautiful, and so smart, and it kills me ...
Fires in the Mirror is composed of monologues taken directly by Smith from transcripts of the interviews she conducted with the people whom she portrays in the play. She interviewed more than 100 individuals in the course of creating this play. It is considered a pioneering example of the genre known as verbatim theatre.