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  2. Sophistic works of Antiphon - Wikipedia

    en.wikipedia.org/wiki/Sophistic_works_of_Antiphon

    The name Antiphon the Sophist (/ ˈ æ n t ə ˌ f ɒ n,-ən /; Ancient Greek: Ἀντιφῶν) is used to refer to the writer of several Sophistic treatises. He probably lived in Athens in the last two decades of the 5th century BC, but almost nothing is known of his life.

  3. Antiphon (orator) - Wikipedia

    en.wikipedia.org/wiki/Antiphon_(orator)

    Antiphon was a statesman who took up rhetoric as a profession. He was active in political affairs in Athens, and, as a zealous supporter of the oligarchical party, was largely responsible for the establishment of the Four Hundred in 411 (see Theramenes); upon restoration of the democracy shortly afterwards, he was accused of treason and condemned to death. [1]

  4. Category:Ancient Greek philosophical literature - Wikipedia

    en.wikipedia.org/wiki/Category:Ancient_Greek...

    Sophistic works of Antiphon; T. Tractatus coislinianus; Z. On Nature (Zeno) This page was last edited on 27 February 2024, at 01:56 (UTC). Text is available under ...

  5. Antiphon (epic poet) - Wikipedia

    en.wikipedia.org/wiki/Antiphon_(epic_poet)

    Antiphon (Ancient Greek: Ἀντιφῶν) of Athens, according to the Suda, was an interpreter of signs, epic poet and sophist, surnamed Logomageiros (Λογομάγειρος), which means both "Word-cook" and "Word-butcher". None of his works are extant, and he is only attested in the Suda.

  6. List of compositions by Marcel Dupré - Wikipedia

    en.wikipedia.org/wiki/List_of_compositions_by...

    Antiphon 1: While the King Sitteth at His Table; Antiphon 2: His Left Hand Is Under My Head, and His Right Hand Doth Embrace Me; Antiphon 3: I Am Black but Comely, O Ye Daughters of Jerusalem; Antiphon 4: Lo, the Winter Is Past; Antiphon 5: How Fair and How Pleasant Art Thou; Ave Maris Stella 1: When the Salutation Gabriel Had Spoken

  7. Ecce sacerdos magnus (Bruckner) - Wikipedia

    en.wikipedia.org/wiki/Ecce_sacerdos_magnus...

    The antiphon, which was intended as processional music for the entrance of the bishop into the cathedral, was thus designed to be "majestic" and "ceremonial" in character. The work's "most enthralling feature" is "the antiphonal writing of Gabrielian grandeur" in bars 64–66. [ 1 ]

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