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All Music Guide to the Blues: The Definitive Guide to the Blues is a non-fiction, encyclopedic referencing of blues music compiled under the direction of All Media Guide. Content [ edit ]
Blues legend B.B. King with his guitar, "Lucille" Blues is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Russell in particular is known as a musical historian, working closely with programs presented on BBC Radio, as well as documentaries on the blues. In the book, artists are set up alphabetically and include short (usually one paragraph) biographies before showing a complete listing of their discography .
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
The songwriting for "Farther Up the Road" is credited to Joe Medwick Veasey, a Houston-area independent songwriter/broker, and Duke Records owner Don Robey.In an interview, blues singer Johnny Copeland claimed he and Medwick wrote the song in one night; Medwick then sold it the next day to Robey, with Robey taking Copeland's songwriting credit. [3]
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English: Music and lyrics of the song "Good Morning to All", with third verse "Happy Birthday to You", printed in 1912 in Beginners book of Songs with instructions unauthorized publication, which do not credit Hill’s 1893 melody.