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In her photographs Paredes camouflages herself as animals or mythological beings, often surrounded by backgrounds of ornamental flowers. [5] She is primarily known for her permanent photo series "Paisajes" in which she explores the juxtaposition of her body with patterns and the surfaces beneath it. [6]
Nature photography tends to put a stronger emphasis on the aesthetic value of the photo than other photography genres, such as photojournalism and documentary photography. [ 1 ] "Nature photography" overlaps the fields of—and is sometimes considered an overarching category including -- " wildlife photography ," " landscape photography ," and ...
Cash Box said "Outside My Window" was a "truly joyous, pastoral love song, utilizing the universal image of the flower to lyrically represent all that is fair and beautiful in nature." [ 27 ] Record World said of it that "A deep, dense bassline is mixed alongside Wonder's uplifting vocals on this mid-tempo track."
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Landscape photography (often shortened to landscape photos) shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on human-made features or disturbances of landscapes.
The photograph depicts a lush green rolling hill with cirrus clouds during a daytime sky, with mountains far in the background. [1] [2] It was taken by Charles O'Rear, a former National Geographic photographer and resident of St. Helena, California, in the Napa Valley region north of San Francisco, while on his way to visit his girlfriend in ...
Flower Power: 21 October 1967 Bernie Boston: Washington, D.C., United States 35 mm [s 2] [s 4] Saigon Execution: 1 February 1968 Eddie Adams: Ho Chi Minh City, Vietnam Unknown [s 1] [s 2] [s 3] [s 4] [s 6] [s 5] [s 7] Massacre of Villagers in My Lai: 16 March 1968 Ronald L. Haeberle: Sơn Mỹ, Vietnam [s 1] My Lai: 16 March 1968 Ronald L ...
Example of "time-lapse" video, which Koyaanisqatsi uses heavily Reggio and Fricke came across time-lapse footage in "some low-visibility commercial work". They felt such footage was "the language [they] were missing", and collectively decided to implement time-lapse as a major part of the film to create "an experience of acceleration".
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