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The Accountant is a 2016 American action thriller film [1] [3] directed by Gavin O'Connor, written by Bill Dubuque and starring Ben Affleck, Anna Kendrick, J. K. Simmons, Jon Bernthal, Cynthia Addai-Robinson, Jeffrey Tambor, and John Lithgow.
The Accountant may refer to: The Accountant (magazine) , accounting magazine published in the UK The Accountant (2001 film) , winner of the Academy Award for Live Action Short Film
Upon release critics gave the song mixed reviews, finding the song catchy and ready to be played in clubs, but thought it was a step down from the preceding single. The song placed at number 95 on Pitchfork 's list of The 200 Best Songs of the 2010s Decade. [5] "Bitch Better Have My Money" reached the top-10 in eight countries, including New ...
She starred in the comedies Scott Pilgrim vs. the World (2010) and 50/50 (2011), the crime drama End of Watch (2012), the musical Into the Woods (2014), the thrillers The Accountant (2016) and A Simple Favor (2018), and the fantasy comedy Noelle (2019). She has voiced the lead role in the animated musicals of the Trolls film franchise since 2016.
At the End of the Day may refer to: At the End of the Day: The Sue Rodriguez Story, a Canadian documentary film; At the End of the Day (Disagree album) At the End of the Day (Galactic Cowboys album) "At the End of the Day" (song), a song by Kellie Coffey "At the End of the Day" (Les Misérables), a song from Les Misérables
The Accountant 2 is an upcoming American action thriller film directed by Gavin O'Connor and written by Bill Dubuque. It is the sequel to The Accountant (2016). Ben Affleck , Jon Bernthal , J. K. Simmons , and Cynthia Addai-Robinson reprise their roles from the previous film, with Daniella Pineda among the actors joining the cast.
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Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. [1] Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramatic storytelling rather than vocal performance.