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The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity. In the early Church, Christians used the Ichthys (fish) symbol to identify Christian places of worship and Christian homes. [1]
Early Christianity adopted this symbolism, and thus many early Christian paintings and mosaics show the peacock. The peacock is still used in the Easter season – especially in the east. [ 22 ] The "eyes" in the peacock's tail feathers symbolise the all-seeing God and – in some interpretations – the Church.
Literary mentions of Christian images greatly increase, in the accounts of pilgrims to the Holy Land, in works of history, and in popular accounts of the lives of saints; at the same time some of these begin to mention acts of iconoclasm against images. The legendary nature of much of the last two types of material is clear, but the stories ...
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
Christianity has been intricately intertwined with the history and formation of Western society.Throughout its long history, the Church has been a major source of social services like schooling and medical care; an inspiration for art, culture and philosophy; and an influential player in politics and religion.
Although this was the period when the Gospel book was the main type of manuscript to receive lavish illumination in this period, the emphasis was on depicting Evangelist portraits, and relatively few contained narrative cycles; these are in fact more common in psalters and other types of book, especially from the Romanesque period. Where there ...