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The album was released in India on 20 May 2008 by Big Music, two years before the release of the film. The soundtrack received generally favorable reviews from critics. It got an 8.5/10 rating on PlanetBollywood.com, [8] 8.25/10 on Music Aloud, [9] and 3/5 on Bollywood Hungama. [10] Lyrics by Nusrat Badr except where noted
Optical effects (also called photographic effects) are techniques in which images or film frames are created photographically, either "in-camera" using multiple exposures, mattes, or the Schüfftan process or in post-production using an optical printer. An optical effect might place actors or sets against a different background.
Film style categorizes films based on the techniques used in the making of the film, such as cinematography or lighting. Two films may be from the same genre, but may well look different as a result of the film style. For example, Independence Day and Cloverfield are both sci-fi, action films about the possible end of the world.
Found-footage films typically employ one or more of six cinematic techniques—first-person perspective, pseudo-documentary, mockumentary, news footage, surveillance footage, or screenlife —according to an analysis of 500 found-footage films conducted by Found Footage Critic.
Drawn-on-film animation: a technique where footage is produced by creating the images directly on film stock; for example, by Norman McLaren, [134] Len Lye and Stan Brakhage. Paint-on-glass animation : a technique for making animated films by manipulating slow drying oil paints on sheets of glass, [ 135 ] for example by Aleksandr Petrov .
The song "Aa Dekhen Zara" is a modern-day remix version of the popular dance number "Aa Dekhe Zara" from the Sanjay Dutt and Tina Munim's film Rocky, which was released in 1981. The makers of Aa Dekhen Zara obtained the rights for this original R.D. Burman number and gave the song a modern-day flavor.
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Perhaps the best known narrative still image film is Chris Marker's 1962 film La Jetée, which was the inspiration for the 1995 film 12 Monkeys. [1] In narrative filmmaking, the vast majority of still image films are short films. Many student films are still image films, and the making of these films is a requirement in some film school courses.