Search results
Results from the WOW.Com Content Network
Ludwig van Beethoven's Piano Concerto No. 4 in G major, Op. 58, was composed in 1805–1806. Beethoven was the soloist in the public premiere as part of the concert on 22 December 1808 at Vienna's Theater an der Wien.
Download as PDF; Printable version; In other projects ... Piano Concerto No. 4 may refer to: Piano Concerto No. 4 (Beethoven) Piano Concerto No. 4 (Mozart) Piano ...
The work is in three movements as follows: . Allegro moderato; Larghetto; Rondo allegretto; The fact that each performance has a different orchestration makes it difficult to describe the work accurately, but in general the concerto has the style of classical composers of the late 18th century such as Joseph Haydn, who would later come to tutor Beethoven.
English: w:Beethoven, Ludwig van (1800-1802) "Symphony No. 2, D major, Op. 36", 2nd movement - Larghetto (A major). Performed by the Tsumugi Orchestra conducted by Takashi Inoue on 19 Sep 2011 at the Fukuoka City West Public Hall.
Classical music portal; This article is within the scope of WikiProject Classical music, which aims to improve, expand, copy edit, and maintain all articles related to classical music, that are not covered by other classical music related projects.
Also featured are Frédéric Chopin's second movement (Romanze-Larghetto) from his first piano concerto, performed by the New Symphony Orchestra of London under the direction of Stanisław Skrowaczewski with pianist Arthur Rubinstein, Wolfgang Amadeus Mozart's Rondo alla turca from his Piano Sonata No. 11 in A Major, performed by Wilhelm Kempff ...
William Henry Squire, ARCM (8 August 1871 – 17 March 1963) was a British cellist, composer and music professor of the late 19th and early 20th centuries. He studied cello at the Royal College of Music, and became professor of cello at the Royal College and Guildhall schools of music.
See: List of music students by teacher: A to B#Johann Georg Albrechtsberger. Beethoven had arrived in Vienna in 1792 to study with Joseph Haydn, but quickly became infuriated when his work was not being given attention or corrected. Haydn recommended his friend Albrechtsberger, with whom Beethoven then studied harmony and counterpoint. [4]