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Ludwig van Beethoven's Piano Concerto No. 4 in G major, Op. 58, was composed in 1805–1806. Beethoven was the soloist in the public premiere as part of the concert on 22 December 1808 at Vienna's Theater an der Wien.
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The work is in three movements as follows: . Allegro moderato; Larghetto; Rondo allegretto; The fact that each performance has a different orchestration makes it difficult to describe the work accurately, but in general the concerto has the style of classical composers of the late 18th century such as Joseph Haydn, who would later come to tutor Beethoven.
Piano Concerto No. 4 may refer to: Piano Concerto No. 4 (Beethoven) Piano Concerto No. 4 (Mozart) Piano Concerto No. 4 (Prokofiev) Piano Concerto No. 4 (Rachmaninoff) Piano Concerto No. 4 (Ries) Piano Concerto No. 4 (Rorem) Piano Concerto No. 4 (Rubinstein) Piano Concerto No. 4 (Saint-Saëns) Piano Concerto No. 4 (Villa-Lobos)
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
In music, Op. 70 stands for Opus number 70. Compositions that are assigned this number include: Beethoven – Piano Trios, Op. 70; Britten – Nocturnal after John Dowland; Chopin – Waltzes, Op. 70; Dvořák – Symphony No. 7; Godard – Les Guelfes; Mendelssohn – Elijah; Prokofiev – The Queen of Spades; Rubinstein – Piano Concerto No. 4
Concerto for Two Pianos and Orchestra (1968) [8] Max Reger (1873–1916) Variations and Fugue on a Theme by Beethoven, Op. 86 (1904) Introduction, Passacaglia and Fugue in B Minor, Op. 96 (1906) Variations and Fugue on a Theme by Mozart, Op. 132a (1914; arrangement by the composer) Wolfgang Rihm (1952-2024) Sätze (1970; op. 6) Maske (1985)
The autograph score remains well preserved; it is stored in the British Library in London. [2] The Romance is given an individual header in the autograph, suggesting that it was the first movement to be composed and Mozart later expanded the work into a full concerto by adding the outer movements.