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View of Bennington (1798). The figure in the foreground, seated under a tree, is the only known self-portrait of Ralph Earl. Ralph Earl (May 11, 1751 – August 16, 1801) was an American artist known for his landscape paintings and numerous portraits.
The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism. Early on, the paintings typically depicted the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and White Mountains.
Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.
Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593
Edward Bailey (1814–1903), American/Hawaiian painter; 1815 Joseph Horace Eaton (1815–1896), New Mexico landscapes; 1816 Daniel DeWitt Tompkins Davie (1816–1877), photographer; George Whiting Flagg (1816–1898), painter; John Frederick Kensett (1816–1872), painter; Emanuel Gottlieb Leutze (1816–1868), painter; 1817 Benjamin Champney ...
Body painting, rock art, hide painting flourished in ancient North America, as well as painting on ceramics, textiles, and other surfaces. Ancestral Puebloans ( Anasazi ) of the American Southwest have a longstanding tradition of painting interior murals and ceramics, as did the Mogollon culture , ancestors of Zuni and Hopi tribes, who lived in ...
Amon Carter Museum of American Art, Texas [43] View on Lake Winnipiseogee: 1828 Oil on panel 50.2 by 66.4 centimetres (19.8 in × 26.1 in) Wadsworth Atheneum, Connecticut [44] [45] The Subsiding of the Waters of the Deluge: 1829 Oil on canvas 90.8 by 121.3 centimetres (35.7 in × 47.8 in) Smithsonian American Art Museum, Washington, D.C. [46]
With a collection that spans nearly two centuries of art history, the museum's holdings include examples of early American expeditionary painting, Hudson River School and Rocky Mountain School landscapes, 19th-century American narrative painting, early American modernism, Expressionism, Cubism and Abstraction, American Regionalism, “New Deal Art”, and Abstract Expressionism. [1]
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