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Since the Renaissance period in European music, much contrapuntal music has been written in imitative counterpoint. In imitative counterpoint, two or more voices enter at different times, and (especially when entering) each voice repeats some version of the same melodic element.
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
This is a chronological list of periods in Western art history. An art period is a phase in the development of the ... Cretan Renaissance – 1500 – 1700; ...
The dominant art forms of the English Renaissance were literature and music, which had a rich flowering. [93] Visual arts in the English Renaissance were much less significant than in the Italian Renaissance. The English Renaissance period in art began far later than the Italian, which had moved into Mannerism by the 1530s. [94]
The themes that preoccupied painters of the Italian Renaissance were those of both subject matter and execution – what was painted and the style in which it was painted. The artist had far more freedom of both subject and style than did a Medieval painter. Certain characteristic elements of Renaissance painting evolved a great deal during the ...
Paragone (Italian: paragone, meaning comparison), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other. [1]
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
Girolamo Siciolante da Sermoneta, Annunciation Santi di Tito, Vision of St Thomas Aquinas (1593) [1] Lamentation, Scipione Pulzone, 1593. Counter-Maniera or Counter-Mannerism (variously capitalized and part-italicized) is a term in art history for a trend identified by some art historians in 16th-century Italian painting that forms a sub-category or phase of Mannerism, the dominant movement in ...
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