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The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while tone is how the author feels about something.
In architecture, spatial design, literary theory, and film theory—affective atmosphere (colloquially called atmosphere) refers to the mood, situation, or sensorial qualities of a space. [1] Spaces containing atmosphere are shaped through subjective and intersubjective interactions with the qualia of the architecture. [ 2 ]
The tone of a piece of literature is the speaker's or narrator's attitude towards the subject, rather than what the reader feels, as in mood. Mood is the general feeling or atmosphere that a piece of writing creates within the reader. Mood is produced most effectively through the use of setting, theme, voice and tone.
In filmmaking, ambience (also known as atmosphere, atmos, or background) consists of the sounds of a given location or space. [1] It is the opposite of "silence". Ambience is similar to presence, but is distinguished by the existence of explicit background noise in ambience recordings, as opposed to the perceived "silence" of presence recordings.
In literature, a work of fiction can refer to a flash narrative, short story, novella, and novel, the latter being the longest form of literary prose. Every work of fiction falls into a literary subgenre , each with its own style, tone, and storytelling devices.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
For Shklovsky, the plot is the most important feature of a narrative as he claims that there is a distinctive difference between ‘story’ and ‘plot’. The story of a narrative entails the normal temporal sequence of events whereas the plot is a distortion of the normal storyline and thus associated with defamiliarisation (Williams 2004, p ...