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Considered the patriarch of modern seascape art, his paintings hang in many major collections throughout the globe, including Canada, England, South America, South Africa, Japan, Mexico and Russia, as well as hundreds of American homes. Eugene Garin is an artist who appeals to both the novice collector and the connoisseur.
Seascape (Slightly Cloudy) A Seascape. The Coast of the Island of Rügen in Evening Light; Seaside by Moonlight; The Seducer; The Seine at Argenteuil (Sisley) The Seine at Port-Marly, Piles of Sand; The Seine at Rouen; Shinagawa no Tsuki, Yoshiwara no Hana, and Fukagawa no Yuki; Ship of Fools (painting) Shipping by a Breakwater (J. M. W. Turner)
The painting depicts a turbulent seascape in the Roaring Forties, the part of the Southern Hemispheric Ocean between the latitudes of 40 and 50 degrees famed for its dangerous storms. Along with Wild Weather, the work is one of two seascape paintings by Waugh on display at the Metropolitan Museum of Art. [1] [2]
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
A native of San Bernardino County, California Nelson began creating murals, sculptures, landscapes, seascapes, and experimenting with still life early in his life. When he was 15, his ninth grade history teacher, David Radcliff, recognizing Nelson's talent, gave him a permanent library pass and allowed him to do independent study.
A seascape by Winslow Homer. A seascape is a photograph, painting, or other work of art which depicts the sea, in other words an example of marine art. The word originated as a formation from landscape, which was first used for images of land in art. By a similar development, "seascape" has also come to mean actual perceptions of the sea itself.
Sea and Rain is a painting by James Abbott McNeill Whistler. The work is a seascape depicting a lone figure standing at the edge of the misty ocean surf during an overcast day. Whistler uses soft brushstrokes and thin layers of paint to create a dreamy atmosphere.
The painting is void of people, and emphasizes the seascape with the contrasts of the sea and sky, bisected in the middle, horizontally. [2] The yellow sky is blocked by a central cloud in the painting. The colors of the sky shift from the realistic towards the abstract with bold colors, to emphasize a spiritual essence. [2]
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