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Plugg is a sub-genre of trap music that emerged in the mid-2010s via online distribution on the SoundCloud platform. It was popularized by melodic Southern hip hop artists, and is characterized by deep 808 basslines, sparkly melodies, and melodic vocals.
The DJ Spinz 808 also known as the "Spinz 808" or "TCE Spinz 808" is a variation of a Roland TR-808 bass drum, which is credited to and named after Hill. The sound is used in hip-hop, pop, and R&B and is one of the most popular and iconic sounds in trap music. Originally created in 2011, the sample became popular with trap producers due to its ...
The 808 was followed in 1983 by the TR-909, the first Roland drum machine to use samples. Like the 808, the 909 influenced popular music, including such genres as techno, house and acid. [17] 808 samples were included in ReBirth RB-338, an early software synthesiser developed by Propellerhead Software. [42]
Trap music is known for its simple, rhythmic, minimalistic productions that uses synthesized drums, and is characterized by complex hi-hat patterns, snare drums, bass drums, some tuned with a long decay to emit a bass frequency (originally from the Roland TR-808 drum machine), and lyrical content that often focuses on drug use and urban violence.
The Roland MC-808 was used prominently in the album Téo & Téa by French composer Jean Michel Jarre, who used some of the preset patterns as the base for a number of the tracks of that album. DJ Uplighter and Friends uses the MC-808 on the album "Lighten Up New Synthesizer".
Garage house is generally piano oriented, a sound deriving from soul and disco, with a heavy emphasis on vocals, preferably female. One contrast from Chicago house was that the vocals in garage house drew stronger influences from gospel. Ghetto house Features minimal 808 and 909 drum machine-driven tracks and sometimes sexually explicit lyrics.
DJ Spanish Fly had introduced the synthetic drum-kit sound with the TR-808, splitting the Memphis scene in two between those who preferred the live versus the digital sound. Alongside a strong drum beat were "cowbell, syncopated rhythms, powerful sub-bass, and sharp digital snares", these elements becoming the hallmarks of the Memphis rap sound.
Test pressings were made following this sequence, but before the album was officially released, Richard Thompson requested that "Poor Will and the Jolly Hangman" (written by Thompson & Swarbrick) be removed, since he was not happy with his lead vocal; this removal was done at such a late stage that the first LP sleeves had already been printed with the song shown on the track listing.