Search results
Results from the WOW.Com Content Network
Three rockers on Chelsea Bridge Two mods on a scooter. Mods and rockers were two conflicting British youth subcultures of the late 1950s to mid 1960s. Media coverage of the two groups fighting in 1964 sparked a moral panic about British youth, and they became widely perceived as violent, unruly troublemakers.
Mods and Rockers is a 1964 British short film directed by Kenneth Hume and produced by Anglo-Amalgamated. [1] It features the Western Theatre Ballet company based on their ballets "Mods and Rockers" and "Non-Stop". They also perform a dance to Beatles compositions.
The Alley has become a shrine to the Mod movement, [1] and people come from all over the world to find this alleyway. [2] The cult film was set in Brighton in 1964, the period of the Mods and Rockers. In May 1964, masses of Mods and Rockers descended from London onto Brighton Beach, resulting in a mass fight that shocked the nation.
Disc 2 features an hour-long documentary and a featurette with Roddam discussing the locations. [21] Unlike their previous DVD, it was the complete, longer version, and it was matted to the correct aspect ratio. [citation needed] The Criterion Collection released a special edition version of this movie on 28 August 2012, on both DVD and Blu-ray ...
The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, [5] in which he examined media coverage of the mod and rocker riots in the 1960s. [6] By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia.
Blue Fox plans to release the movie nationwide in cinemas, though dates have yet to be announced. More from Variety. John Dunsworth, 'Trailer Park Boys' and 'Haven' Star, Dies at 71
The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, [139] which examined media coverage of the mod and rocker riots in the 1960s. [140] By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia.
In early 1960s Britain, the two main youth subcultures were Mods and Rockers. The "Mods and Rockers" conflict was explored as an instance of moral panic by sociologist Stanley Cohen in his seminal study Folk Devils and Moral Panics, [65] which examined media coverage of the Mod and Rocker riots in the 1960s. [66]