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He was introduced by Cleveland, Ohio disc jockey Bill Randle on the January 28, 1956, broadcast performing "Shake, Rattle and Roll", "Flip, Flop and Fly" and "I Got a Woman". He made five more appearances during the next eight weeks: February 4: "Baby Let's Play House" and "Tutti Frutti" February 11: "Blue Suede Shoes" and "Heartbreak Hotel"
Baby Let's Play House" is a song written and originally recorded by Arthur Gunter in 1954 on the Excello Records label, [1] [2] [3] and covered by Elvis Presley the following year on Sun Records. [4] A line from the song ("I'd rather see you dead, little girl, than to be with another man") was borrowed by John Lennon for his Beatles song " Run ...
A Date with Elvis is a compilation album by American singer and musician Elvis Presley, issued on RCA Victor (LPM 2011) in July 1959. The album compiled a selection of previously released material from multiple sessions at Sun, an August 1956 recording session at 20th Century Fox Stage One and two from Radio Recorders in Hollywood.
Boz Boorer left the group to work as a guitarist, musical director and co-songwriter with Morrissey, [2] but led a Polecats reunion in 1989, which produced a live album and a new studio set. Tim Polecat moved to Los Angeles, California and formed the band 13 Cats, with drummer Slim Jim of the Stray Cats , stand-up bassist Smutty Smiff of the ...
The single "Baby, Let's Play House" combined with "I'm Left, You're Right, She's Gone" reached No. 5 on the country charts in 1955. Aware that Elvis was rapidly building a reputation for his live performances, RCA Victor bought out Presley's contract with Sun Records for $35,000.
Released as a single in April 1955 (with "Baby Let's Play House" on the opposite side), [1] the song made it into the top 10 of U.S. Billboard ' s C&W Best Sellers in Stores chart. [ 5 ] Composition
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Sunrise is a two-disc compilation of Elvis Presley's studio recordings at Sun Studio from 1953 to 1955, released in 1999, RCA 67675-2. This set features all of the surviving master recordings made by Presley and his accompanists, Scotty Moore and Bill Black, occasionally augmented by other musicians, prior to his arrival on RCA Records in 1956.