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For example, he can place his Mona Lisa mask next to his ko-omote mask, the traditional Noh mask for a young woman, and the dialogue is apparent. (Sauer) Bidou says, "by synthesizing both traditions, I create three-dimensional ‘ personae ’ that breathe new life into these iconic faces and seek to suggest a fresher fusion of Eastern and ...
Noh masks signify the characters' gender, age, and social ranking, and by wearing masks the actors may portray youngsters, old men, female, or nonhuman (divine or demonic) characters. [ 23 ] : 13 Only the shite , the main actor, wears a mask in most plays, although the tsure may also wear a mask in some plays.
The Noh masks of the Konparu school are a set of 47 noh masks formerly owned by the famous Konparu family of noh actors and playwrights, now part of the collection of the Tokyo National Museum. These masks span five centuries, from the Muromachi to the Edo period (15th to 19th century), and are designated Important Cultural Properties.
These masks, which represent the jealousy, resentment, and anger of female demons, are classified as jya (蛇, snake) masks. [3] It is said that there are now more than 250 types of Noh masks, but the oldest historical record of Noh masks, Sarugaku dangi , mentions only about 14 types of masks, and the name hannya is not found among them. [4]
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Masks (Japanese: 女面, Onnamen) is a novel by Japanese author Fumiko Enchi, published in 1958, however, an English translation by Juliet Winters Carpenter was published in 1983. [ 1 ] [ 2 ] Each of the novel's three sections takes its name from a type of Noh mask. [ 3 ]
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