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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
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10 (sometimes known as Ten) is a compilation album by The Wildhearts frontman Ginger, collecting solo tracks from the previous ten years.The tracks are compiled from the Ginger albums Yoni and Market Harbour, the Silver Ginger 5 release Black Leather Mojo, and the Ginger & the Sonic Circus release Valor Del Corazon.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Molly Dear Go Ask Your Mother" by Kelly Harrell in 1926, as "Sleepy Desert" by Wilmer Watts And The Lonely Eagles in 1929, and as "Wake Up You Drowsy Sleeper" by The Oaks family in 1930. As "Katie Dear (Silver Dagger)" it was recorded by the Callahan Brothers in 1934, and as "Katie Dear" by the Blue Sky Boys in 1938. [ 10 ] (
The song's driving rhythm, basically the first bar of a 3 2 clave, came to have widespread use in jazz comping and musicians still reference it by name. [4] Harmonically, the song features a five-chord ragtime progression (I-III7-VI7-II7-V7-I). [5] Recordings of The Charleston from 1923 entered the public domain in the United States in 2024. [6]
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
"Pick Yourself Up" is a popular song composed in 1936 by Jerome Kern, with lyrics by Dorothy Fields. It has a verse and chorus, as well as a third section, though the third section is often omitted in recordings. Like most popular songs of the era it features a 32 bar chorus, though with an extended coda.