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Prevalent artists of this era of spiritual jazz included Lonnie Liston Smith, Albert Ayler, Sun Ra, and Don Cherry. [1] Saxophonist Albert Ayler was a student of John Coltrane, known for his "uncanny, visceral, and startlingly new" [2] take on jazz tradition and his use of spirituals, as seen in 1969's Music is the Healing Force of the Universe.
The work, which has antecedents in Marsalis' previous work, was performed both at the church and Lincoln Center in New York City and on a national tour. [14] Pianist Cyrus Chestnut grew up performing gospel and hearing jazz in Baltimore before obtain a master's degree from Berklee College of Music.
The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...
Presenting never-before-seen ephemera and the works of 19 contemporary Black artists, the Hammer Museum pays homage to the life and impact of musician and spiritual leader Alice Coltrane.
Music Is the Healing Force of the Universe by Albert Ayler was released in April 1970. [1] The lyrics of the album was written by Ayler's partner, Mary Maria Parks. Apart from the posthumous album The Last Album, which contains outtakes from the same sessions, this was to be Ayler's last studio album recorded and released before his death in November 1970.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Unlike relaxing forms of classical music, new-age music makes greater use of electronica and non-Western instrumentation. There is some debate on what can be considered "new-age music"; for example several musicians in Celtic music or Smooth jazz have expressed annoyance at being labeled "new-age musicians".
New-age is a genre of music intended to create artistic inspiration, relaxation, and optimism.It is used by listeners for yoga, massage, meditation, [1] and reading as a method of stress management [2] to bring about a state of ecstasy rather than trance, [3] [4] or to create a peaceful atmosphere in homes or other environments.