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[11] [4] The white or black-and-red satin stitch or pattern darning embroidery either covered the sleeve completely, or was added only to the top part. [11] [4] Western Volhynians added a thin string of embroidered ornament near the sleeve trimming. [11] [4] The sleeves could be finished with a pulled or ruffled cuff, or be shortened and left ...
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
The girls wear white dresses with colored aprons. The Family of Dr. Josef August Eltz, Austria, 1835. 1830s fashion in Western and Western-influenced fashion is characterized by an emphasis on breadth , initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and 1820.
Note lower waist, fuller sleeves, and wider skirt. Marchesa Marianna Florenzi wears a fur-trimmed dress with a belt over a white ruffled undergown and carries a feather-trimmed bonnet, 1824; This young lady wears a red gown with a satin waistband, accessorized with a paisley shawl, 1824.
A man wearing a ruffled white satin poet blouse. The famous Seinfeld "puffy shirt", an example of a poet shirt blouse.. A poet shirt (also known as a poet blouse or pirate shirt) is a type of shirt made as a loose-fitting blouse with full bishop sleeves, usually decorated with large frills on the front and on the cuffs. [1]
Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
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