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Louis Leo Prima (/ ˈ l uː i ˈ p r iː m ə /; December 7, 1910 – August 24, 1978) [1] was an American trumpeter, singer, entertainer, and bandleader. While rooted in New Orleans jazz, swing music, and jump blues, Prima touched on various genres throughout his career: he formed a seven-piece New Orleans–style jazz band in the late 1920s, fronted a swing combo in the 1930s and a big band ...
Dorothy Jacqueline Keely (March 9, 1928 [1] [note 1] [2] – December 16, 2017), professionally known as Keely Smith, was an American jazz and popular music singer, who performed and recorded extensively in the 1950s with then-husband Louis Prima, and throughout the 1960s as a solo artist. [3] Smith married Prima in 1953.
It should only contain pages that are Louis Prima albums or lists of Louis Prima albums, as well as subcategories containing those things (themselves set categories). Topics about Louis Prima albums in general should be placed in relevant topic categories .
Sam Butera (August 17, 1927 – June 3, 2009) was an American tenor saxophonist and singer best noted for his collaborations with Louis Prima and Keely Smith.Butera is frequently regarded as a crossover artist who performed with equal ease in both R&B and the post-big band pop style of jazz that permeated the early Vegas nightclub scene.
"Sing, Sing, Sing (With a Swing)" is a 1936 song, with music and lyrics by Louis Prima, who first recorded it with his New Orleans Gang. Brunswick Records released it on February 28, 1936 [2] on the 78 rpm record format, with "It's Been So Long" as the B-side. The song is strongly identified with the big band and swing eras.
The Wildest! is an album by Louis Prima, first released in 1956. It features singer Keely Smith with saxophonist Sam Butera and the Witnesses. It is considered an innovative mixture of early rock and roll , jump blues and jazz as well as eccentric humor.
She is the daughter of singer, trumpeter and recording star Louis Prima and Gia Maione, ... Discography. Reminiscing 2001; Since the Storm 2010 (11th Hour Records)
The resulting recordings were Prima's combination of Italian shuffle, R&B, and comic novelties, and Miller's staid arrangements. [1] A few of the tracks featured Keely Smith on vocals. [ 1 ] Prima left Columbia over a dispute over who would record " Come On-a My House ", and returned to recording for his own Robin Hood Records until such time ...