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The origins of the William and Gayle Cook Music Library began in 1918 and was cultivated by Charles Campbell, the head of Indiana University's Music Department. The collection grew from a few scores and books in Campbell's office into one of the largest music libraries in the world, holding hundreds of thousands of physical books, scores and ...
IU has received several accolades for her songwriting, including the Lyricist of the Year award at the 2018 Gaon Chart Music Awards. [12] Nineteen of the tracks written by the singer have been released as singles, with fifteen of those reaching the top of the Gaon Digital Chart , including " Through the Night ", the fourth best-selling singles ...
Ethel Louise Lyman (December 1, 1893 - November 17, 1974) was a music librarian and cataloger known for creating the music library at Indiana University—now called the William & Gayle Cook Music Library—as well as the collections of several important music libraries.
The William and Gayle Cook Music Library, recognized as one of the largest academic music libraries in the world, serves the Jacobs School of Music and the Bloomington Campus of Indiana University. [ non-primary source needed ] It occupies a four-floor, 55,000 square-foot facility in a wing of the Bess Meshulam Simon Music Library and Recital ...
The Indiana University Jacobs School of Music in Bloomington, Indiana, is a music conservatory established in 1921. Until 2005, it was known as the Indiana University School of Music . It has more than 1,500 students, approximately half of whom are undergraduates, with the second largest enrollment of all music schools accredited by the ...
The Indiana University Auditorium has town-to-gown programming that takes some of the actors, music and performers usually on stage at the auditorium into the community, at schools and senior centers.
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The Sound Directions Project was a joint project between Indiana University's Archives of Traditional Music and Harvard University's Archive of World Music and funded by the National Endowment for the Humanities between 2005 and 2011. Phase 1 consisted of testing and determining the best practices and workflows for digital audio preservation.