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[1] [2] Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". [1] Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a compositional style based on four-note groups over each change.
Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93) Le marteau sans maître for contralto voice, alto flute, viola, guitar, xylorimba, vibraphone, and ...
Gary Schocker (born October 18, 1959) is an American flutist, composer, and pianist who has performed with the New York Philharmonic (at age 15, in a nationally televised Young People's Concert), the Philadelphia Orchestra, the New Jersey Symphony, the Dallas Symphony, the West German Sinfonia, and I Solisti Italiani.
Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
Suite for Flute and Jazz Piano (aka Suite for Flute and Jazz Piano Trio) is a "crossover" composition by the jazz pianist and composer Claude Bolling. [1] The composition, originally written in 1973, is a suite of seven movements, written for a classical flute , and a jazz piano trio ( piano , string bass , and drums ).
Joueurs de flûte (The Flute Players), Op. 27, is a set of four pieces for flute and piano by the French composer Albert Roussel. It is the most popular of Roussel's works for the flute. It was written in 1924 and consists of four pieces, each named after a flute player from literature and each dedicated to a flutist of Roussel's time. 1. Pan
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Solfège table in an Irish classroom. Tonic sol-fa (or tonic sol-fah) is a pedagogical technique for teaching sight-singing, invented by Sarah Anna Glover (1786–1867) of Norwich, England and popularised by John Curwen, who adapted it from a number of earlier musical systems.
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