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  2. Contrapuntal motion - Wikipedia

    en.wikipedia.org/wiki/Contrapuntal_motion

    In music theory, contrapuntal motion is the general movement of two melodic lines with respect to each other. In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.

  3. Counterpoint - Wikipedia

    en.wikipedia.org/wiki/Counterpoint

    In music theory, counterpoint is the relationship of two or more simultaneous musical lines ... Perfect consonances must be approached by oblique or contrary motion.

  4. Consecutive fifths - Wikipedia

    en.wikipedia.org/wiki/Consecutive_fifths

    Parallel fifths are used in, and are evocative of, many musical genres, such as various kinds of Western folk and medieval music, as well as popular genres like rock music. However, parallel motion in perfect consonances (P1, P5, P8) is strictly forbidden in species counterpoint instruction (1725–present), [2] and during the common practice ...

  5. Canon (music) - Wikipedia

    en.wikipedia.org/wiki/Canon_(music)

    In a mirror canon (or canon by contrary motion), the subsequent voice imitates the initial voice in inversion. They are not very common, though examples of mirror canons can be found in the works of Bach, Mozart (e.g., the trio from Serenade for Wind Octet in C minor , K. 388/384a), Anton Webern , and other composers.

  6. Landini cadence - Wikipedia

    en.wikipedia.org/wiki/Landini_cadence

    A Landini cadence (Landini sixth or Landini sixth cadence), or under-third cadence, [4] is a type of cadence, a technique in music composition, named after Francesco Landini (1325–1397), an influential Italian composer, in honor of his extensive use of the technique. The technique was used extensively in the 14th and early 15th century.

  7. Johannes Cotto - Wikipedia

    en.wikipedia.org/wiki/Johannes_Cotto

    Most of his examples are note-against-note, and demonstrate how to end on a fifth or an octave by good voice-leading; he emphasizes the importance of contrary motion, a practice which differed from the parallel organum of the preceding centuries (though it probably reflected a current practice; in the absence of many surviving 11th-century ...

  8. Inversion (music) - Wikipedia

    en.wikipedia.org/wiki/Inversion_(music)

    In music theory, an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines of music. [2] In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory.

  9. Irregular resolution - Wikipedia

    en.wikipedia.org/wiki/Irregular_resolution

    Two common tones, two note moves by half step motion. Irregular resolution through augmented sixth equivalence Play ⓘ. [1] One common tone, three notes move by half step motion. In music, an irregular resolution is resolution by a dominant seventh chord or diminished seventh chord to a chord other than the tonic.