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Enjambment has a long history in poetry. Homer used the technique, and it is the norm for alliterative verse where rhyme is unknown. [9] In the 32nd Psalm of the Hebrew Bible enjambment is unusually conspicuous. [10] It was used extensively in England by Elizabethan poets for dramatic and narrative verses, before giving way to closed couplets.
Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation. Epigraph: a quotation from another literary work that is placed under the title at the beginning of a poem or section of a poem. Hemistich: a half of a line of verse.
enjambment The continuing of a syntactic unit over the end of a line. Enjambment occurs when the sense of the line overflows the meter and line break. [3] entr'acte envoi epanalepsis epic poetry A long poem that narrates the victories and adventures of a hero. Such a poem is often identifiable by its lofty or elegant diction. [11] epic simile ...
Enjambment is a line break in the middle of a sentence, phrase or clause, or one that offers internal (sub)text or rhythmically jars for added emphasis. Alternation between enjambment and end-stopped lines is characteristic of some complex and well composed poetry, such as in Milton 's Paradise Lost .
Shakespeare also used enjambment increasingly often in his verse, and in his last plays was given to using feminine endings (in which the last syllable of the line is unstressed, for instance lines 3 and 6 of the following example); all of this made his later blank verse extremely rich and varied.
His employment of the form outside drama, his frequent enjambment, and the relative looseness of his metre were very influential, and he became known for the style. The poet Robert Bridges analyzed Milton's versification in the monograph Milton's Prosody .
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Enjambment–A lack of punctuation. It creates run on lines where a thought, phrase, or clause in a line of poetry does not come to an end break, but moves on to the following line. It may be employed to reinforce a central idea by eradicating the use of semi-colons, periods, or commas which may distract the reader.