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René François Ghislain Magritte (French: [ʁəne fʁɑ̃swa ɡilɛ̃ maɡʁit]; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. [1]
The Treason of Images (This is not a Pipe) [45] 1929 Oil on canvas 55 x 72 cm Tree of Knowledge [46] 1929 Oil on canvas 41 x 27 cm The Eternally Obvious (L'évidence éternelle) [47] 1930 The Menil Collection Oil on five separately stretched and framed canvases mounted on acrylic sheet 167.6 × 38.1 × 55.9 cm La clef des songes. [48] 1930
The Treachery of Images (French: La Trahison des Images) is a 1929 painting by Belgian surrealist painter René Magritte. It is also known as This Is Not a Pipe, [2] Ceci n'est pas une pipe [2] and The Wind and the Song. [3] It is on display at the Los Angeles County Museum of Art. [1] The painting shows an image of a pipe.
The Son of Man (French: Le fils de l'homme) is a 1964 painting by the Belgian surrealist painter René Magritte. It is perhaps his best-known artwork. [1] Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man ...
The Human Condition (La condition humaine) is the title of four paintings by the Belgian surrealist René Magritte.One was completed in 1933 and is in the collection of the National Gallery of Art in Washington, D.C. [1] Another one was completed in 1935 and is part of the Simon Spierer Collection in Geneva, Switzerland. [2]
Not to Be Reproduced (La reproduction interdite, 1937) is a painting by the Belgian surrealist René Magritte. It is currently owned by the Museum Boijmans Van Beuningen in Rotterdam. [1] This painting was commissioned by poet and Magritte patron Edward James and is considered a portrait of James although James's face is not depicted.
The Empire of Light II (1950), oil on canvas, 79 x 99 cm. Museum of Modern Art, New York. Although Magritte had already completed a few versions by 1953, a retrospective at the 1954 Venice Biennale included a 1954 version (now in the Peggy Guggenheim Collection) that attracted several collectors with expectations of buying the painting.
File:Magritte TheSonOfMan.jpg File:Magritte, The adulation of space, l'eloge de l'espace, 1927-28.jpg File:Magritte, The Palace of Memories, Le palais des souvenirs, 1939.jpg
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