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During the First World War, a woman doctor falls in love with one of her patients who turns out to be a German spy. She herself ends up working for German intelligence. A, D 1937 UK A Romance in Flanders: Lost on the Western Front: Maurice Elvey: Set during the First World War with the British Expeditionary Force in Flanders. D, R 1937 UK
In the 1870s–80s, schools in Kazakhstan massively started to open, which developed elite, future Kazakh members of the Alash party. In 1916, after conscription of Muslims into the military for service in the Eastern Front during World War I, Kazakhs and Kyrgyzs rose up against the Russian government, with uprisings until February 1917.
These are depictions of diverse aspects of war in film and television, including but not limited to documentaries, TV mini-series, drama serials, and propaganda film.The list starts before World War I, followed by the Roaring Twenties, and then the Great Depression, which eventually saw the outbreak of World War II in 1939, which ended in 1945.
Nomad is a historical epic set in 18th-century Kazakhstan.The film is a fictionalized account of the youth and coming-of-age of Ablai Khan, a Khan of the Kazakh Horde, as he grows and fights to defend the fortress at Hazrat-e Turkestan from Dzungar invaders during the Kazakh-Dzungar Wars.
Company of Heroes is a 2013 American direct-to-video war thriller film directed by Don Michael Paul. [1] The screenplay was co-written by Danny Bilson and Paul De Meo. It was loosely based on the video game of the same name. De Meo would later write Company of Heroes 2.
Pages in category "World War I television drama series" The following 29 pages are in this category, out of 29 total. This list may not reflect recent changes .
Apocalypse: World War I (in French: Apocalypse, la Première Guerre mondiale) is a TV series made up of 5 French documentaries created by Isabelle Clarke and Daniel Costelle, and narrated by Mathieu Kassovitz. Originally broadcast in 2014, it chronologically traces the history of World War I, from its origins to the end of the war. It gathers ...
[1] BeyondHollywood.com praised the visuals and cinematography for creating a war movie suitable for television without compromising on intensity and action: "The problem with many war films is that after the gore and bloodletting of Saving Private Ryan any war movie looks like an exercise in G-rated filmmaking.