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Pomo baskets made by Pomo Indian women of Northern California are recognized worldwide for their exquisite appearance, range of technique, fineness of weave, and diversity of form and use. While women mostly made baskets for cooking, storing food, and religious ceremonies, Pomo men also made baskets for fishing weirs, bird traps, and baby baskets.
However, a market for genuine, traditional baskets opened the 1880s and lasted until the 1930s. [9] William and Mary Benson took advantage of this commercial opportunity. While Pomo men did not traditionally make the kind of fine baskets demanded by the market, William adapted his skill to the fine work done by women. [9]
Gavin Newsom apologizes to California tribes, including the Kashia Band of Pomo Indians in 2019. Kashia representatives are interviewed in the video. Essie Parrish (1902–1979) was an important Kashia Band basket weaver and a spiritual leader of the Kashia Tribe, she strove to sustain Pomo traditions throughout the 20th century. The current ...
Her baskets were featured in many newspapers and she was viewed as a prodigy. [1] She began giving demonstrations in the State Indian Museum in Sacramento, where she refused to sell the baskets she made and instead gave them as gifts. [1] In the late 1970s she began teaching basket-weaving classes for both native and non-native students. [2]
Sometimes the baskets produced by one tribe were indistinguishable from those made by those of another tribe. [7] Some fully feathered baskets have small, distinguishing features which suggests a specific tribal heritage. [3] Fully feathered baskets were very personal items, often given as a gift and destroyed at the death of the owner. [4]
Julia Florence Parker (born February 1928) [1] is a Coast Miwok-Kashaya Pomo basket weaver.. Parker studied with some of the leading 20th century indigenous Californian basketweavers: Lucy Telles (Yosemite Miwok-Mono Lake Paiute); Mabel McKay, (Cache Creek Pomo-Patwin) and Elsie Allen (Cloverdale Pomo).
Mary Knight Benson (1877–1930) was a Pomo woman from California who excelled in basket making. Her work is highly collectible and renowned for fine craftsmanship. She and her husband, William Ralganal Benson (Eastern Pomo, 1862–1937), partnered in basket weaving, and their work is in public museum collections.
The Habematolel Pomo belong to the Northern and Eastern Pomo language groups, [2] both of which are considered today to be extinct. Known for their extensive trade networks, the Habematolel Pomo traded magnesite and obsidian with the Coast Miwoks for a variety of shells. Pomo are known for their woven baskets and elaborate feather headdresses. [2]
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