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The Parable of the Unjust Steward or Parable of the Penitent Steward is a parable of Jesus which appears in Luke 16:1–13.In it, a steward who is about to be fired tries to "curry favor" with his master's debtors by remitting some of their debts. [1]
Luke 16 is the sixteenth chapter of the Gospel of Luke in the New Testament of the Christian Bible. It records the teachings and parables of Jesus Christ, including the account of the "rich man and Lazarus". [1] There is an "overriding concern with riches" in this chapter, although other topics are also covered. [2]
Luke 18:1–8 The Rich Fool: Luke 12:16–21 Dives and Lazarus: Luke 16:19–31 The Great Supper: Luke 14:15–24 The Prodigal Son: Luke 15:11–32 The Unjust Steward: Luke 16:1–9 The Unprofitable Servants: Luke 17:7–10 The Pharisee and the Publican: Luke 18:9–14
Other Christians consider that this is a parable created by Jesus and told to his followers. [14] Tom Wright [15] and Joachim Jeremias [16] both treat it as a "parable". Proponents of this view argue that the story of Lazarus and the rich man has much in common with other stories which are agreed-upon parables, both in language and content (e.g ...
Left Behind: The Movie (2000) (V) Apocalypse IV: Judgment (2001) Megiddo: The Omega Code 2 (2001) Left Behind II: Tribulation Force (2002) (V) Apocalypse (2002, TNT Bible Series) Six: The Mark Unleashed (2004) Left Behind: World at War (2005) The Poor Ones in the Paradise (2005) The Moment After 2 (2006) The Book of Eli (2010) This Is The End ...
The accounts of Mark 16:9, John 20:15 indicate that Jesus appeared to the Magdalene first, and Luke 16:9 states that she was among the Myrrhbearers who informed the disciples about the resurrection. [ 6 ] [ 7 ] [ 160 ] In Matthew 28:11–15 , to explain the empty tomb, the Jewish elders bribe the soldiers who had guarded the tomb to spread the ...
Jesus (also known as The Jesus Film) is a 1979 American Biblical drama film directed by Peter Sykes and John Krish, and produced by John Heyman.In Jesus, the life of Jesus Christ is depicted, primarily using the Gospel of Luke as the main basis for the story.
[44] Pier Angelo Gramaglia, in his 2017 critical commentary on Klinghardt's reconstruction, made an extended argument that Marcion's Gospel is a two-source gospel, making use of Mark and Q, while canonical Luke builds on Marcion's Gospel in part from a secondary appropriation of Q material. [6]