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The depictions of women in film noir come in a range of archetypes and stock characters, including the alluring femme fatale.A femme fatale (/ ˌ f æ m f ə ˈ t ɑː l / or / ˌ f ɛ m f ə ˈ t ɑː l /; French: [fam fatal], literally "lethal woman"), is a prevalent and indicating theme to the style of film noir.
Woman on the Run is a 1950 American crime film noir directed by Norman Foster and starring Ann Sheridan and Dennis O'Keefe. [1] The film was based on the April 1948 short story "Man on the Run" by Sylvia Tate. The film exists in the public domain and was restored and preserved by the UCLA Film and Television Archive.
The Woman in the Window is a 1944 American film noir directed by Fritz Lang and starring Edward G. Robinson, Joan Bennett, Raymond Massey, and Dan Duryea.It tells the story of a middle-aged psychology professor [2] who murders in self-defense the lover of a young femme fatale he just met while his family is on vacation.
Lake may have made her biggest mark in movies in film noir. Paired with another young rising star, Alan Ladd, Lake brought beauty and an evocative allure to popular dark crime films including the ...
The tone of film noir is generally regarded as downbeat; some critics experience it as darker still—"overwhelmingly black", according to Robert Ottoson. [223] Influential critic (and filmmaker) Paul Schrader wrote in a seminal 1972 essay that "film noir is defined by tone", a tone he seems to perceive as "hopeless". [224]
Ladies in Retirement is a 1941 American film noir directed by Charles Vidor and starring Ida Lupino, Louis Hayward and Evelyn Keyes. It was produced and distributed by Columbia Pictures . Lupino and Hayward were married at the time.
Woman in Hiding is a 1950 American melodrama [1] thriller film starring Ida Lupino, Howard Duff and Stephen McNally. [2] It was directed by Michael Gordon, with cinematography by William H. Daniels. [3] Peggy Dow, John Litel, and Taylor Holmes, appear in support. Some observers regard the picture as a film noir, [4] [5] a view not universally ...
First woman to direct a film noir, Ida Lupino, is widely regarded as the most prominent female filmmaker working in the 1950s during the Hollywood studio system. She is best known for directing The Hitch-Hiker. Ida Lupino is also famous for her work as an actress.
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