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The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah, George Frideric Handel's well-known oratorio from 1741. It is performed by a choir of all-star gospel, contemporary Christian, R&B and jazz singers, along with several actors.
The lyrics to the song have been described as being from the perspective of God, [5] although the members of Third Day have described them differently; David Carr, the drummer for Third Day, described the lyrics as "crying out to God and calling out his name", [1] while Mac Powell described them as "kind of a prayer.
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
The Messiah (Māšîaḥ) is an Old Testament Hebrew word meaning "the Anointed One", which in New Testament Greek is Christ, a title given to Jesus of Nazareth, known by his followers as "Jesus Christ". Handel's Messiah has been described by the early-music scholar Richard Luckett as "a commentary on [Jesus Christ's] Nativity, Passion ...
It is the name of his brand-new album, and the title track is one he considers the eternal, everlasting song. “Hebrews 13:8 says, ‘Jesus Christ is the same yesterday, today, and forever,’ and that's really the heart of this song. I love how it speaks to the miracles that we’ve read of Jesus when he walked this earth,” Tomlin says.
Visiting the homeland of Jesus has touched Roberson very deeply, and he regularly researches the scriptures from the Hebraic perspective. Much of his time is devoted to Jewish studies on Jesus as the Messiah. His trips to Israel have motivated him to focus on the life and ministry of Jesus the Messiah in the gospel accounts.
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The New Testament part, in the Gospel words of Jesus, are changed to the third person "Come unto Him, all ye that labour" (Matthew 11:28–29). The soprano sings the same melody, but elevated by a fourth from F major to B flat major.