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Portrait of Lord Mansfield; Portrait of Alessandro Manzoni; Marquis de Lafayette (Morse) Portrait of Ugolino Martelli; Portrait of Isaak Abrahamsz. Massa; Portrait of Maurice, Prince of Orange; Portrait of Cosimo I de' Medici; Portrait of Giovanni de' Medici as a Child; The Melancholic Man; Portrait of a Man (Hans Memling) The Merry Drinker ...
Among Antonello's portraits, it is among the most expressively animated. The subject, a young man, is drawn from a quite near point of view, with the master's usual skill in rendering detail. The work has been dated approximately to the early 1470s, based on the typical "zuccotto" headgear, a fashion more characteristic of 1460s Italy.
The painting is one of the best documented paintings in Hals' oeuvre, documented by Wilhelm von Bode in 1883, by Ernst Wilhelm Moes in 1909, Hofstede de Groot in 1910, by W.R. Valentiner in 1923, Trivas in 1941 and by Gerrit David Gratama in 1946.
Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man's face is largely obscured by a hovering green apple. However, the man's eyes can be seen peeking over the edge of the apple.
The redesign of U.S. banknotes in 1922 prompted the Treasury Department to review the portraits on banknotes and conclude that "portraits of Presidents of the United States have a more permanent familiarity in the minds of the public than any others." [6] Exceptions were made for Alexander Hamilton, Salmon Chase, and Benjamin Franklin.
Portrait of a Man in a Red Suit (formerly known as Portrait of an African) is an 18th-century oil painting of a black man held by the Royal Albert Memorial Museum and donated by Percy Moore Turner in 1943. The artist and sitter are unknown. [1] The earliest provenance is a sale by Christie's in 1931. [1]
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