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Western Union is a 1941 American western film directed by Fritz Lang and starring Robert Young, Randolph Scott, and Dean Jagger. [1] Filmed in Technicolor on location in Arizona and Utah. In Western Union , Scott plays a reformed outlaw who tries to make good by joining the team building a telegraph line across the Great Plains in 1861.
Soviet Union. List of equipment of the Soviet Ground Forces. List of armored fighting vehicles of the Soviet Union; List of military aircraft of the Soviet Union and the CIS; List of ships of the Soviet Navy; United States. List of individual weapons of the U.S. Armed Forces; List of weapons of the U.S. Marine Corps
These devices fire "bolts of energy" in the movies, and the firearm they are based on is the British-made Sterling sub-machine gun. [ 12 ] [ 13 ] Another example would be the 1999 movie Wild Wild West , in which a powered (as in, automatically revolving) Gatling gun is used, even though this was not realized until 1946—Gatling guns in the era ...
Western Union Fritz Lang Robert Young , Randolph Scott , Dean Jagger , Virginia Gilmore , John Carradine , Barton MacLane , Russell Hicks , Slim Summerville , Chill Wills , Victor Kilian , Minor Watson , George Chandler , Chief John Big Tree , Chief Thundercloud , Addison Richards , Irving Bacon , Hank Bell , Tom London , Charles Middleton
Operation Gladio was the codename for clandestine "stay-behind" operations of armed resistance that were organized by the Western Union (WU) (founded in 1948), and subsequently by NATO (formed in 1949) and by the CIA (established in 1947), [1] [2] in collaboration with several European intelligence agencies during the Cold War. [3]
Dean Jagger (November 7, 1903 – February 5, 1991) was an American film, stage, and television actor who won the Academy Award for Best Supporting Actor for his role in Henry King's Twelve O'Clock High (1949).
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Though imbued with epic sweep, 'Hell on Wheels' is a western at heart, even if that heart is cold. Plenty of guns, knives, arrows, scalpings — mixed with the incendiary socio-psychological wounds left in the Civil War’s wake." [8] Robert Lloyd of the Los Angeles Times says the show "takes its cues more from the movies than from life. Never ...