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Askew sang Muddy Waters, Howlin' Wolf and Jimmy Reed songs at The Gaslight Cafe. According to Bob Dylan, when Luke sang at The Gaslight Cafe it was like a "guy who sounded like Bobby Blue Bland". [10] Askew later moved to Lake Oswego, Oregon. [2] He died at Lake Oswego on March 29, 2012, three days after his 80th birthday, due to lung cancer ...
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
Hubert Charles Sumlin (November 16, 1931 – December 4, 2011) was a Chicago blues guitarist and singer, [1] best known for his "wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions" as a member of Howlin' Wolf's band. [2]
In May 1970, along with Howlin' Wolf, Hubert Sumlin and Chess Records producer Norman Dayron, Carp travelled to London for a recording session. [19] He was playing at London's Olympic Studio, in the recording session that took place between the 2nd and 7th of that month which would result in Howlin' Wolf's London Sessions. [8] [20]
Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Later on, Howlin' Wolf named him Tail Dragger because Jones often arrived late for gigs. [1] By the early 1970s, Jones had become a full-time singer and he used notable backing musicians, including Willie Kent , Hubert Sumlin , Carey Bell , Kansas City Red , [ 5 ] Little Mack Simmons , Big Leon Brooks, and Eddie Shaw .
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The Howlin' Wolf Album is the first studio album by Howlin' Wolf, released in 1969. It features members of Rotary Connection as his backing band. [1] The album mixed blues with psychedelic rock arrangements of several of Wolf's classic songs. Howlin' Wolf strongly disliked the album, which is noted on the album's cover art.