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Though atmosphere and setting are connected, they may be considered separately to a degree. Atmosphere is the aura of mood that surrounds the story. It is to fiction what the sensory level is to poetry or mise-en-scene is to cinema. [1] Mood is established to affect the reader emotionally and psychologically and to provide a feeling for the ...
[3] [4] The elements of the story setting include the passage of time, which may be static in some stories or dynamic in others with, for example, changing seasons. A setting can take three basic forms. One is the natural world, or in an outside place.
In architecture, spatial design, literary theory, and film theory—affective atmosphere (colloquially called atmosphere) refers to the mood, situation, or sensorial qualities of a space. [1] Spaces containing atmosphere are shaped through subjective and intersubjective interactions with the qualia of the architecture. [ 2 ]
A story structure, narrative structure, or dramatic structure (also known as a dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of narrative structures worldwide, which have been hypothesized by critics, writers, and scholars over time.
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
The flying island of Laputa from Gulliver's Travels. (Illustrated 1795.) In science fiction and fantasy, floating cities and islands are a common trope, ranging from cities and islands that float on water to ones that float in the atmosphere of a planet by purported scientific technologies or by magical means.
The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works.
The book's structure and composition has been compared to the work of W.G. Sebald, and although Open City has "nominally separate" chapters, its lack of punctuation gives it the "atmosphere of a text written in a single, unbroken paragraph". [7] The style has been compared to the structure of a diary. [7]